“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
Thursday, April 16, 2009
Literary Hi-Jinks; and, Being A Jinx
Off with us then on Tuesday night to Waterstone’s, to hear Brian McGilloway and Declan Hughes (left and right, respectively) give it large about their new novels, BLEED A RIVER DEEP and ALL THE DEAD VOICES, in particular, and crime fiction in general. Interesting it was too to hear the gents chat about how the crime writer needs to be on his or her toes to keep abreast of events, in terms – here in Ireland, at least – of the boom-to-bust economy, and the recent upsurge in dissident Republicanism.
Among the glitterati were Alan Glynn, whose forthcoming WINTERLAND is a terrific read; Professor Ian Ross of Trinity College, the proverbial gentleman and scholar; Critical Mick, the proverbial saint and scholar; and John Connolly, whose perfectly coiffed barnet Squire Hughes appears to be measuring in the pic above, perhaps for some bizarre phrenology cult they’ve got going on (note too the tome FROM POVERTY TO POWER, cunningly located between two crime writers for maximum irony).
Anyhoos, post-Q&A it was off to the pub for the second leg of the annual Mighty Pool vs Chelski Chumps League face-off, which ended 4-4. I got there just in time to miss the second of the Pool’s goals, when they went 2-0 up, and left just before they knocked in the second brace with ten minutes to go. It may be coming time to consider the possibility that I’m a jinx.
Back in 1981, I went over to Anfield to see the Mighty Pool play Brighton (& Hove Albion) F.C. Back then the Pool could boast the likes of Dalglish and Hansen, Clemence and Souness, Neal and Kennedy (possibly even two Kennedys), Terry McDermott, Phil Thompson … in essence, it was the side that beat Real Madrid to win the European Cup later that year. The result on the day? 1-0 to Brighton, Michael Robinson bundling one in at the Kop end. Jinx?
But back to business … A little birdie tells me that Alex Barclay (right) will be taking part in the inaugural Image Author Evening, alongside Claire Kilroy and John Boyne. It takes place in the Fitzwilliam Hotel, Stephen’s Green, Dublin, at 6.30pm on April 23rd, and you’re promised ‘refreshments, canapés and a book-filled goodie bag’, the event to be hosted by our good friend Bert Wright. If that all sounds a bit too good to be true, well, tickets are €40 a pop, with group rates available. Seems pricey to me, but then I’m a penniless scribe, so what do I know…? For details and or / booking, contact Jennifer Ryan on 01 280 8415 or email jryan@image.ie.
I won’t be there, obviously. Not because it’s too expensive, but because I’m a jinx, and if I turn up Alex Barclay will probably start speaking in tongues or summat …
Wednesday, April 15, 2009
Yet More Trouble A-Bruen …
BEST SHORT STORYFor all the details on all the categories, clickety-click here. The winners will be announced at ThrillerFest 2009, July 8-11 …
Between the Dark and the Daylight (Ellery Queen Magazine) by Tom Piccirilli
Last Island South (Ellery Queen Magazine) by John C. Boland
The Edge of Seventeen (The Darker Mask) by Alexandra Sokoloff
The Point Guard (Killer Year Anthology) by Jason Pinter
Time of the Green (Killer Year Anthology) by Ken Bruen
Meanwhile, more casting details for ‘London Boulevard’ have popped up, with Ray Winstone, David Thewlis and Anna Friel joining Colin Farrell and Keira Knightley. Quoth Variety:
Ray Winstone, David Thewlis and Anna Friel are set to join Keira Knightley and Colin Farrell in ‘London Boulevard.’ William Monahan directs the crime drama this summer in London, with financing coming from Graham King’s GK Films. Drama revolves around a freshly paroled London criminal who becomes involved with a reclusive young actress. Winstone will play a former crime boss. Thewlis will play the reclusive actress’ agoraphobic business manager, while Friel will portray the criminal’s sister.Ray Winstone as a former crime boss? Altogether now: “You caaaaaaaaant ...”
Tuesday, April 14, 2009
“Ya Wanna Do It Here Or Down The Station, Punk?”: Matt Rees
What crime novel would you most like to have written?
I really would be prepared to strangle fluffy kittens and bite the heads off chickens to have written THE BIG SLEEP.
What fictional character would you most like to have been?
Hammett’s Continental Op. So that I’d finally know his actual name.
Who do you read for guilty pleasures?
Bernard Cornwell’s Sharpe novels. Makes me feel like a manly man and an excited little boy at the same time.
Most satisfying writing moment?
In my second crime novel THE SALADIN MURDERS, I found myself crying during as I wrote one particular scene in which the hero, a Palestinian schoolteacher, is being stoned by kids. At the time I thought, “Wow, I must be good. I can even make myself cry.” After the novel was finished, I realised I had been experiencing a traumatic memory of the same thing happening to me as a foreign correspondent during the intifada. That was even more satisfying, because I saw that I had been able to take a very deeply felt emotion of my own and make it belong to a character on the page. I also saved myself some psychiatrist bills.
The best Irish crime novel is …?
THE MIDNIGHT CHOIR by Gene Kerrigan. I like that fact that he tosses out a lot of what the genre holds sacred, mainly in the character of his detective. I’ve found as a journalist everything ends up black and white, but as I’ve reported more and more on the Palestinians and Israelis I’ve seen that the truth lies in the grey areas, where only fiction can find them. I detect a similar element in Gene’s writing, after all his years as an investigative journalist. That comes through very strongly in THE MIDNIGHT CHOIR, where the detective is forced to confront his own immorality: the bad he’s done in a good cause may simply be bad.
What Irish crime novel would make a great movie?
As a Celt and a history buff, I think one of Peter Tremayne’s Sister Fidelma novels would make the transition to the big screen rather well. (Ok, he’s not Irish, but his father was from Cork, I believe, and Sister Fidelma’s certainly Irish.)
Worst / best thing about being a writer?
Worst: I get quite a few emails to my website from rabid anti-Semites who assume that because I write about the Palestinians I must hate Jews. I don’t enjoy that, at all. Best: Every moment I write feels like a meditation, such deep concentration. I just know that it’s good for my brain. (Second best: no bow ties. Anyone who’s ever sat at the next desk to a boss who wore a bow tie will understand what I mean.)
The pitch for your next book is …?
Omar Yussef goes to New York for a UN conference. He takes the subway to Brooklyn to visit his son, who lives in the part of the borough known as Little Palestine because of all the new immigrants from the West Bank. When he reaches the apartment, he discovers a dead body in his son’s bed … It’s the fourth in my series. It’s called THE FOURTH ASSASSIN and it’ll be out early next year, examining what it's like to be a Muslim in a city where many people think all Arabs are terrorists.
Who are you reading right now?
Peter Hoeg (THE QUIET GIRL). Set in Copenhagen, where I just visited on a book tour. He wrote MISS SMILLA’S SENSE OF SNOW. Before that, THE ROAD by Cormac McCarthy, which, as a new father, I found devastating because of the main character’s hopeless attempts to protect his son from a hostile world.
God appears and says you can only write OR read. Which would it be?
I’ve lived in the holy city of Jerusalem for 13 years. I don’t eat kosher food and I smuggled a sandwich into the Palestinian parliament during Ramadan. If God hasn’t cracked down on me for that, he isn’t going to be bothered about whether I’m reading or writing. But if you put me on an island and said: “The complete works of Shakespeare, or a laptop computer?”, I’d go with the book and make up stories in my head (without God noticing).
The three best words to describe your own writing are …?
Not bloody journalism.
Matt Rees’s THE SAMARITAN’S SECRET is published by Atlantic Books
Monday, April 13, 2009
“Unaccustomed As I Am To Saying The Word ‘Unaccustomed’ …”
Meanwhile, another double-act, Gene Kerrigan and The Artist Formerly Known as Colin Bateman, grace Galway’s Cuirt festival with their presence as they promote their latest tomes, DARK TIMES IN THE CITY and MYSTERY MAN, respectively. They’ll be reading, cracking gags and soft-shoe shuffling from 6.30pm at the Town Hall venue, on Friday, April 24th.
Man, I need to get myself a side-kick. Any volunteers?